Jeremy Bobb

Jeremy Bobb

CountryUnited States United States
GenderMale
BirthdayMay 13, 1981
BiographyJeremy Bobb (born May 13, 1981) is an American actor who has appeared on stage, television and in feature films. He had a recurring role in CBS's 2013 drama Hostages as White House Chief of Staff Quintin Creasy and co-starred as Herman Barrow in the Cinemax TV series The Knick. In 2014, he played Stevie in the crime-drama film The Drop. In 2019, Bobb appeared in the Netflix series Russian Doll. In 2023, he appeared as Detective Mayhew in the Peacock mini series The Continental.

He attended Otterbein University and received a Bachelor of Fine Arts degree in 2003.

Biography from the Wikipedia article Jeremy Bobb. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.

Known For

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The Rookie
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The Rookie

The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.

The Last of Us
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The Last of Us

After a global pandemic destroys civilization, a hardened survivor takes charge of a 14-year-old girl who may be humanity's last hope.

MobLand
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MobLand

With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.

MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

GenreDrama, Crime
Daredevil: Born Again
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Daredevil: Born Again

Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

 

The Studio
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The Studio

As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

GenreComedy