John McCarthy
Gaining experience on a seemingly endless succession of B-movies, his stock began to rise steadily in 1948 when he worked on Frank Borzage's Moonrise and Orson Welles' production of Macbeth. Assignments on Lewis Milestone's The Red Pony and Allan Dwan's Sands of Iwo Jima followed in 1949, films produced for Republic Pictures, with whom McCarthy was associated for many years. He was the recipient of an Oscar nomination in 1952 for John Ford's colourful The Quiet Man, the only Republic film to be so honoured.
By the mid-1950s and early 1960s, however, most of McCarthy's time was spent in television, where he worked on Alfred Hitchcock Presents, Wagon Train and The Munsters. Ironically, his television work led to better feature film assignments, all of them for Universal Pictures: Don Siegel's remake of The Killers (1964), the Doris Day comedy Send Me No Flowers (1964), the James Stewart Western Shenandoah (1965), Ronald Neame's caper movie Gambit (1966), for which he received a second Oscar nomination, the war epic Tobruk (1967), Coogan's Bluff (1968) and Robert Aldrich's acclaimed Ulzana's Raid (1972). Television still called him in the 1970s for programmes like Ironside and Columbo.
Biography from the Wikipedia article John McCarthy Jr.. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Part of Crew
Recently Updated Shows
Game Changer
In this game show, the game changes every show! Players begin each round without knowing the rules -- and must figure them out while competing to win.
The Morning Show
Nominated for three Golden Globes®, this unapologetically candid drama looks at the modern workplace through the lens of the people who help America wake up. Pull back the curtain on early morning TV.
Mayor of Kingstown
Mayor of Kingstown is set in a small Michigan town where the only industry remaining are federal, state, and private prisons, the story follows the McLusky family, the power brokers between the police, criminals, inmates, prison guards and politicians, in a city completely dependent on prisons and the prisoners they contain. It is a stark and brutal look at the business of incarceration.
The Agency: Central Intelligence
The Agency: Central Intelligence follows Martian, a covert CIA agent ordered to abandon his undercover life and return to London Station. When the love he left behind reappears, romance reignites. His career, his real identity and his mission are pitted against his heart; hurling them both into a deadly game of international intrigue and espionage.