
Hazel Douglas
Her credits stretch back to the early days of television, and include Sunday Night Theatre, The Worst Week of My Life, Eyes Down, The IT Crowd, Gavin & Stacey, Run Fatboy Run, Casualty, The Royal, Asylum, The Bill, Where the Heart Is, Gimme Gimme Gimme, At Home with the Braithwaites, The Liver Birds and Vicious.
Douglas spent eleven years with Brian Rix's company in the Whitehall farces, joining in 1954 for John Chapman's Dry Rot, which ran for more than 1,400 performances. These comedies were also televised, and she appeared in episodes of the one-off comedies in the series Dial RIX (1962–63), with Rix and his wife Elspet Gray. Rix used to say that Hazel had the best double-take in the business.
Biography from the Wikipedia article Hazel Douglas. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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The Ultimate Fighter
Who's the toughest in the house? The Ultimate Fighter finds out as mixed martial arts fighters battle it out for a six-figure UFC contract. With two of the top UFC fighters as coaches, contestants will try to kick and punch their way to dominance and to prove who is The Ultimate Fighter.

The Ministry of Time
The Ministry of Time, a newly established government department, is gathering ‘expats' from across history in an experiment to test the viability of time-travel. Commander Graham Gore (an officer on Sir John Franklin's doomed 1845 Arctic expedition) is one such figure rescued from certain death – alongside an army captain from the fields of the Somme, a plague victim from the 1600s, a widow from revolutionary France, and a soldier from the seventeenth century.
The expats are placed with 21st century liaisons, known as 'bridges', in unlikely flatshares. Gore has to learn about contemporary life from scratch: from air travel to industrial warfare, from feminism to Spotify, from cinema to indoor plumbing; and he must negotiate cohabiting with the ambitious modern woman who works as his bridge. After an awkward beginning, the pair start to find pleasure and comfort in each other's company, developing a relationship that is simultaneously tender, intense and profoundly unprofessional; and the expats, adrift in a new era, form friendships that ground and support them in the lonely 21st century, where they have outlived everyone they ever knew and loved.
When a deeper conspiracy at the Ministry begins to reveal itself, the bridge must reckon with what she does next. Will she save or sacrifice the exiled misfits she has come to care for so deeply?