Joan Bennett

Joan Bennett

CountryUnited States United States
GenderFemale
BirthdayFeb 27, 1910
Death1990-12-07
BiographyJoan Geraldine Bennett (February 27, 1910 – December 7, 1990) was an American stage, film, and television actress, one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent films, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's films—including Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard (and ancestors Naomi Collins, Judith Collins Trask, and Flora Collins in various timelines) in the gothic 1960s soap opera Dark Shadows, for which she was nominated for an Emmy Award for Outstanding Achievement in Daytime Programming at the 20th Primetime Emmy Awards in 1968.

Bennett's career had three distinct phases: first as a winsome blonde ingenue, then as a sensuous brunette femme fatale (with looks that movie magazines often compared to those of Hedy Lamarr), and finally as a warmhearted wife-and-mother figure.

In 1951, Bennett's screen career was marred by scandal after her third husband, film producer Walter Wanger, shot and injured her agent Jennings Lang. Wanger suspected that she and Lang were having an affair, a charge which she adamantly denied. She married four times.

For her final film role, as Madame Blanc in Dario Argento's cult horror film Suspiria (1977), she was nominated for the Saturn Award for Best Supporting Actress at the 5th Saturn Awards.

Biography from the Wikipedia article Joan Bennett. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.

Known For

Recently Updated Shows

Recently updated shows that might be of your interest.
Fatal Seduction
Running

Fatal Seduction

When married professor Nandi Mahlati encounters Jacob Tau, an alluring student, during a weekend getaway, their steamy affair soon unravels a devastating trail of murder and lies. 

Have I Got News for You
Running

Have I Got News for You

Based on the week's news, Have I Got News for You is fronted by guest hosts and features two regular team captains, Paul Merton and Ian Hislop. Each week the show invites two guests to cast a jaundiced eye over the week's news, resulting in a fast flow of anarchic, spontaneous and hugely entertaining wit and humour. Guests typically represent the world of politics, comedy, show-business and journalism, and are often themselves particularly newsworthy participants. The final touches of Have I Got News for You are put together only hours before recording, allowing guests to comment on the late-breaking news stories of the day.

GenreComedy
Casualty
Running

Casualty

They're fighting to save patients while their personal lives are brimming with drama and intrigue. Everything's at stake on the emergency ward.

Good Omens
Running

Good Omens

According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies), the world will end on a Saturday. Next Saturday, in fact. Just before dinner.

So the armies of Good and Evil are amassing, Atlantis is rising, tempers are flaring. Everything appears to be going according to Divine Plan. Except Aziraphale, a somewhat fussy angel, and Crowley, a fast-living demon--both of whom have lived among Earth's mortals since The Beginning and have grown rather fond of the lifestyle--are not actually looking forward to the coming war.

And someone seems to have misplaced the Antichrist...

King and Conqueror
Upcoming

King and Conqueror

King and Conqueror is the story of a clash that defined the future of a country – and a continent – for a thousand years, the roots of which stretch back decades and extend out through a pair of interconnected family dynasties, struggling for power across two countries and a raging sea. Harold of Wessex and William of Normandy were two men destined to meet at the Battle of Hastings in 1066; two allies with no design on the British throne, who found themselves forced by circumstance and personal obsession into a war for possession of its crown.