
Daniel Day-Lewis
Born and raised in London, Day-Lewis excelled on stage at the National Youth Theatre before being accepted at the Bristol Old Vic Theatre School, which he attended for three years. Despite his traditional training at the Bristol Old Vic, he is considered a method actor, known for his constant devotion to and research of his roles. Protective of his private life, he rarely grants interviews and makes very few public appearances.
Day-Lewis shifted between theatre and film for most of the early 1980s, joining the Royal Shakespeare Company and playing Romeo Montague in Romeo and Juliet and Flute in A Midsummer Night's Dream. Playing the title role in Hamlet at the National Theatre in London in 1989, he left the stage midway through a performance after breaking down during a scene where the ghost of Hamlet's father appears before him—this was his last appearance on the stage. After supporting film roles in Gandhi (1982) and The Bounty (1984), he earned acclaim for his breakthrough performances in My Beautiful Laundrette (1985), A Room with a View (1985), and The Unbearable Lightness of Being (1988).
He earned three Academy Awards for Best Actor for his roles as Christy Brown in My Left Foot (1989), oil tycoon Daniel Plainview in There Will Be Blood (2007), and Abraham Lincoln in Lincoln (2012). He was Oscar-nominated for In the Name of the Father (1993), Gangs of New York (2002), and Phantom Thread (2017). Other notable films include The Last of the Mohicans (1992), The Age of Innocence (1993), The Crucible (1996), and The Boxer (1997). He retired from acting twice, from 1997 to 2000, when he took up a new profession as an apprentice shoe-maker in Italy, and from 2017 to 2024. In 2025 he starred in and co-wrote Anemone, directed by his son Ronan.
Biography from the Wikipedia article Daniel Day-Lewis. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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The Other Bennet Sister is a fresh spin around the ballroom for one of Jane Austen's most unassuming characters: Mary Bennet – the seemingly unremarkable and overlooked middle sister in Jane Austen's Pride and Prejudice. The series takes as its premise that - when it comes to the Bennet sisters - while we dream of being Lizzy, in reality most us are more like Mary...
Unlike her sisters, Mary isn't your typical period drama heroine. She is awkward, anxious, preachy, full of facts, a terrible singer… overlooked by her mother and seemingly destined to an empty dance card for the rest of her life… until Mary takes matters into her own hands.
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