Natalie Press

Natalie Press

CountryUnited Kingdom United Kingdom
GenderFemale
Birthdayaoût 15, 1980
BiographyNatalie Press (born 15 August 1980) is an English actress. She is known for her performance in the 2004 film My Summer of Love and a number of short and feature-length independent films, including Wasp (2003), which won the Academy Award for Best Live Action Short Film. In 2008, her performance in Fifty Dead Men Walking earned her a nomination for the Independent Spirit Award for Best Supporting Female. In 2010, she was nominated for the BAFTA TV Award for Best Actress for her work in the three-hour BBC miniseries Five Daughters.

Biography from the Wikipedia article Natalie Press. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.

Known For

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House of the Dragon
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House of the Dragon

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Law & Order: Special Victims Unit
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Law & Order: Special Victims Unit

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

The Witcher
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The Witcher

Based on the best-selling fantasy series, The Witcher is an epic tale of fate and family. Geralt of Rivia, a solitary monster hunter, struggles to find his place in a world where people often prove more wicked than beasts. But when destiny hurtles him toward a powerful sorceress, and a young princess with a dangerous secret, the three must learn to navigate the increasingly volatile Continent together.

Fire Country
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Fire Country

In Fire Country, seeking redemption and a shortened prison sentence, young convict Bode Donovan joins a firefighting program that returns him to his small Northern California hometown, where he and other inmates work alongside elite firefighters to extinguish massive blazes across the region.

Cops
Running

Cops

COPS follows police officers, constables, and sheriff's deputies during patrols and various police activities by embedding camera crews with their units. The show's formula adheres to a classic cinéma vérité ethos. With no narration or scripted dialog, it depends entirely on the commentary of the officers and on the actions of the people with whom they come into contact.