Episode 32

The American Gilded Age was a period of immense economic change, of huge fortunes made and lost, and the rise of disparity between old money and new.

Against this backdrop of change, the story begins in 1882 — introducing young Marian Brook, the orphaned daughter of a Union general, who moves into the New York City home of her thoroughly old money aunts Agnes van Rhijn and Ada Brook. Accompanied by Peggy Scott, an accomplished African-American woman, Marian inadvertently becomes enmeshed in a social war between one of her aunts, a scion of the old money set, and her stupendously rich neighbors, a ruthless railroad tycoon and his ambitious wife, George and Bertha Russell.

In this exciting new world that is on the brink of the modern age, will Marian follow the established rules of society, or forge her own path?

Twisted Metal is about a motor-mouthed outsider offered a chance at a better life, but only if he can successfully deliver a mysterious package across a post-apocalyptic wasteland. With the help of a trigger-happy car thief, he faces savage marauders driving vehicles of destruction and other dangers of the open road, including a deranged clown who drives an all too familiar ice cream truck.

The Librarians: The Next Chapter centers on Vikram Chamberlain, a "Librarian" from the past who time traveled from 1847 and now finds himself stuck in the present. When Vikram returns to his castle in Belgrade, Serbia and discovers that it is now a museum, he inadvertently releases magic across the continent. With the help of a new team of eclectic heroes, including a savant in world history, a scientific genius, and a highly skilled Guardian, Vikram has only six months to clean up the mess he made.

Imagine a world where the global space race never ended. This thrilling "what if" take on history from Ronald D. Moore (Outlander, Battlestar Galactica) spotlights the high-stakes lives of NASA astronauts and their families.

Only Murders in the Building follows three New Yorkers who find they have a mutual interest in solving true crime – but limit their amateur sleuthing to only murders in their building.