Episode 3

King of the Hill follows the life of Hank Hill, his wife Peggy, their 13-year-old son Bobby, their 18-year-old niece Luanne, her husband Lucky, their newborn baby girl Gracie and his beer guzzling neighborhood buddies, Dale, Bill and Boomhauer.

Kevin Costner's The West takes viewers on an epic journey through the birth of the American West, examining the relentless competition for land, power, and identity that forged our nation's history. With legends born from figures such as Lewis and Clark and Sacagawea, to the clashes between lawmen and outlaws, the rise of cowboys and ranchers, the resilience of trailblazing women, and the fervor of fortune seekers and abolitionists, this series spans a century of pivotal events. By presenting these stories from diverse perspectives, the series illuminates both the indelible contributions of the pioneers who shaped the dream of the American West and the courageous resistance of Native American tribes who valiantly defended their ancestral land. 

The series highlights pivotal battles and iconic figures, from Chief Little Turtle's decisive victory over the U.S. Army, sparking General "Mad" Anthony Wayne's counteroffensive and the inexorable push westward, to the tenacious stands of the Blackfeet, Comanche, and Lakota Sioux tribes and by warriors like Red Cloud and Crazy Horse, as well as the storied vigilante Joaquin Murrieta. Blending powerful historical archive, striking visuals and insightful expert interviews with globally recognized historians, each episode highlights a crucial and often tragic chapter in the rich tapestry of the West.

Ironheart follows Riri Williams, a 15-year old engineering genius attending Massachusetts Institute of Technology. Riri builds a suit based on Iron Man's armor and takes up the name Ironheart.

Jeremy, a patriarch of a young family with teenage children, loses his job and decides to move to the backwoods of Georgia to help his crazy grandfather. Grandpa Vinny has foolishly purchased a terribly run-down home for the elderly and he is in way over his head, but comedy ensues as Mr. Brown and Cora show up at the right time as needy investors.

COPS follows police officers, constables, and sheriff's deputies during patrols and various police activities by embedding camera crews with their units. The show's formula adheres to a classic cinéma vérité ethos. With no narration or scripted dialog, it depends entirely on the commentary of the officers and on the actions of the people with whom they come into contact.