Black Hollywood: 'They've Gotta Have Us' - Season 1
Season 1
Episodes
Legends and Pioneers
The Oscar-winning Moonlight became a symbol for black cinema, a revolutionary moment when black film-makers could identify when diversity and inclusion really started to take over the industry. To try and understand how we got to this moment, the film takes us back on a journey of discovery with three of the most revered and celebrated professionals to have graced the silver screen - Harry Belafonte, Earl Cameron and Diahann Carroll.
Black Film Is Not a Genre
Inspired by Spike Lee's 1989 hit Do the Right Thing, a new generation of black film-makers bursts onto the scene with an exciting new genre - the hood movie. Boyz in the Hood creates stars, yet this exciting moment turns into a passing fad, leading to an era when only white directors like Steven Spielberg are telling prominent black stories. This era sees the emergence of the bankable black Hollywood stars: Eddie Murphy, Will Smith and Denzel Washington. In this episode, we show how black film-makers start to take back control of their own stories, culminating in the Hollywood blockbuster Black Panther.
Black is the New Hollywood
This episode picks up the story in the post Black Panther era, where black movies are no longer seen as a genre and black filmmakers are no longer seen as non-bankable. In an era where Moonlight won Best Picture and the director of Get Out won Best Original Screenplay, the number of award winners and nominees are steadily growing. But amongst these winners there is a generation of British stars following in the footsteps of Steve McQueen and 12 Years of Slave who have left Britain. Theirs is a generation led by the likes of David Oyelowo and John Boyega growing in influence and leading the invasion of bankable black British stars to Hollywood.
Recently Updated Shows
Lioness
Lioness, inspired by an actual U.S. Military program, follows the life of Joe while she attempts to balance her personal and professional life as the tip of the CIA's spear in the war on terror. The Lioness Program, overseen by Kaitlyn Meade and Donald Westfield, enlists an aggressive Marine Raider named Cruz to operate undercover alongside Joe among the power brokers of State terrorism in the CIA's efforts to thwart the next 9/11.
Doc
Doc centers on the hard-charging, brilliant Dr. Amy Larsen, Chief of Internal and Family Medicine at Westside Hospital in Minneapolis. After a brain injury erases the last eight years of her life, Amy must navigate an unfamiliar world where she has no recollection of patients she's treated, colleagues she's crossed, the soulmate she divorced, the man she now loves and the tragedy that caused her to push everyone away. She can rely only on her estranged 17-year-old daughter, whom she remembers as a 9-year-old, and a handful of devoted friends, as she struggles to continue practicing medicine, despite having lost nearly a decade of knowledge and experience.
