Episode 2
Manahil gets angry to know, that proposal came for her and fights with Salah-ul-Din for not telling her. Rabiya confront Salah-ul-Din that he "loves" Manahil to which he responds that they will never accept this relation due to their social class difference. Manahil parents refuse the Mikaeel's proposal. Salah-ul-Din tries to make Manahil understand that due to their social difference he cannot marry her and her parents will not accept their relation. Rabiya ask Salah-ul-Din to ask their parents for this proposal before anyone else gets to know about them. Unknown to Sarah, she teases Manahil about Salah-ul-Din for not calling him "Bhai". Later, Salah-ul-Din told his mother about Manahil and him, and ask her for their proposal, stunned to this confession she reluctantly agrees. Sarah confronts Manahil and warns her that their family will never accept her relation with Salah-ul-Din. Meanwhile, Salah-ul-Din father ask him to stop tutoring Manahil.
Trailer
Recently Updated Shows
The Rookie
The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.
Alien: Earth
When the mysterious deep space research vessel USCSS Maginot crash-lands on Earth, Wendy and a ragtag group of tactical soldiers make a fateful discovery that puts them face-to-face with the planet's greatest threat.
Silo
In a ruined and toxic future, thousands live in a giant silo deep underground. After its sheriff breaks a cardinal rule and residents die mysteriously, engineer Juliette starts to uncover shocking secrets and the truth about the silo.
Cops
COPS follows police officers, constables, and sheriff's deputies during patrols and various police activities by embedding camera crews with their units. The show's formula adheres to a classic cinéma vérité ethos. With no narration or scripted dialog, it depends entirely on the commentary of the officers and on the actions of the people with whom they come into contact.