Sex and Sensibility: The Allure of Art Nouveau - Season 1

The delicious objects of Parisian Art Nouveau are explored by cultural correspondent Stephen Smith. Uncovering how the luscious decorative style first erupted into the cityscape, Stephen delves into the city's bohemian past to learn how some of the 19th century's most glamorous and controversial figures inspired this extraordinary movement.

Revealing the story behind Alphonse Mucha's sensual posters of actress Sarah Bernhardt, looking at the exquisite jewellery designer Renee Lalique and visiting iconic art nouveau locations such the famous Maxim's restaurant, the programme builds a picture of fin-de-siecle Paris.

But Smith also reveals that the style is more than just veneer deep. Looking further into the work of glassmaker Emile Galle and architect Hector Guimard, he sees how some of art nouveau's stars risked their reputation to give meaning and purpose to work they thought could affect social change.

Britain's art nouveau heritage is excavated as cultural correspondent Stephen Smith unearths the bright, controversial but brief career of Aubrey Beardsley.

On a mission to uncover lesser-known stars of Britain's version of this continental fin-de-siecle style, he explores the stunning work of Mary Watts and the massive influence of department store entrepreneur Arthur Liberty.

In Scotland, he celebrates the innovative art nouveau of Charles Rennie Mackintosh, but looks harder at the extraordinary and influential work of Mackintosh's wife, Margaret MacDonald.

In a story that combines scandal and revolution, cultural correspondent Stephen Smith explores how Vienna's artists rebelled against the establishment in the late 19th century and brought their own highly sexed version of art nouveau to the banks of the Danube.

Looking at the eye-watering work of Gustav Klimt, Smith discovers that Viennese 'Jugenstil' was more than just a decorative delight but saw artists struggle to bring social meaning to the new style. Revealing the design genius of Josef Hoffman, the graphic work of Koloman Moser and the emergence of the enfant terrible Egon Schiele, Smith unpacks the stories behind a style that burned brightly but briefly at the fin de siecle.