Host: Gene Barry / The Mamas and the Papas

Season 3Episode 2860 minApr. 9, 1966
Host: Gene Barry / The Mamas and the Papas
Host: Gene Barry --Gene Barry - ""A Real Live Girl,"" ""What Am I?"" and ""All I Need Now Is a Girl"" --The Mamas and the Papas - ""Monday, Monday"" --Wally Cox (comedian) --Tim Conway (comedian) - portrays the inventor of the matchmaking machine --The McGuire Sisters (singers) - ""Blue Skies"" & medley (""Yesterday,"" ""Bye Bye Blues"" & ""Night and Day"") --Sandy Koufax and Don Drysdale (Dodger pitchers) - join Milton Berle in a comedy sketch. --The Hildalys (high-wire motorcycle act from France) --The Lenz Chimps (trained animal act)
Host: Gene Barry / The Mamas and the Papas has aired on Apr. 9, 1966 at 21:30
Previous EpisodeNext Episode

Trailer

We do not have any trailers for this episode

Recently Updated Shows

Recently updated shows that might be of your interest.
The Night Manager
Running

The Night Manager

Drama series based on the John le Carré novel. A hotel night manager is recruited by a government agent to infiltrate the inner circle of a ruthless arms dealer.

The Pitt
Running

The Pitt

The Pitt is a realistic examination of the challenges facing healthcare workers in today's America as seen through the lens of the frontline heroes working in a modern-day hospital in Pittsburgh, Pennsylvania. Each episode follows an hour of Dr. Robby's 15-hour shift as the chief attendant in Pittsburgh Trauma Medical Hospital's emergency room.

Only Murders in the Building
Running

Only Murders in the Building

Only Murders in the Building follows three New Yorkers who find they have a mutual interest in solving true crime – but limit their amateur sleuthing to only murders in their building.

The White Lotus
Running

The White Lotus

A social satire set at an exclusive tropical resort, The White Lotus follows the exploits of various guests and employees over the span of a week.

The Gilded Age
Running

The Gilded Age

The American Gilded Age was a period of immense economic change, of huge fortunes made and lost, and the rise of disparity between old money and new.

Against this backdrop of change, the story begins in 1882 — introducing young Marian Brook, the orphaned daughter of a Union general, who moves into the New York City home of her thoroughly old money aunts Agnes van Rhijn and Ada Brook. Accompanied by Peggy Scott, an accomplished African-American woman, Marian inadvertently becomes enmeshed in a social war between one of her aunts, a scion of the old money set, and her stupendously rich neighbors, a ruthless railroad tycoon and his ambitious wife, George and Bertha Russell.

In this exciting new world that is on the brink of the modern age, will Marian follow the established rules of society, or forge her own path?