The Private Life of a Masterpiece - Season 3

Rodin's The Kiss is arguably the most sensual sculpture in the art of the past 150 years. Its subject matter is more daring that most people understand: A it portrays a girl seducing a man. The sculpture has been controversial right up to the 21st century.

Arguably the most powerful painting about war ever achieved. It portrays the slaughter of civilians after Napoleonic troops entered Madrid in 1808. The programme reveals the historical truths behind the painting and shows exactly how Goya achieved this masterpiece of protest.

This painting was once described as the most beautiful of all the artworks of the 19th century. Certainly it seems the happiest. But beneath renoir's joyful portrayal of working class Parisians at leisure is another, darker story.

Why should a painting of a group of part-time Amsterdam militiamen, dressed up for an occasion that wasn't serious anyway, have become the most revered painting in Holland? The full story of Rembrandt's masterpiece.

Botticelli's painting is extraordinarily beautiful; his portrayal of Flora, the central character, reveals a face you might find in London or Bologna or Boston today. But what the painting is about is a mystery which scholars devote their lives to solving. It is rich is sex, even rape, but it also about love and the highest aspirations of man.

Perhaps the most celebrated of all Japanese pictures, the Great Wave's portrayal of a huge wave about to overwhelm three boats was only produced by Hokusai when he was old and broke and needed money badly. A print that cost little more than bowl of noodles to those who first bought it, the image has been hugely influential on later art.

The statue of the young girl in a real ballet dress is often seen today just as a pretty image of dancer making one of the classic moves of ballet. But to the people who first saw the statue when it was unveiled it was a dangerous, even disgraceful, portrayal of a degenerate girl little more than a whore. The programme reveals the story of the real woman who Degas used as a model and includes revelations about how the statue as actually made.

Perhaps the most reproduced of all 19th century paintings, The Sunflowers has a story that lies at the crux of the complex relationship between Van Gogh and Paul Gaugin. The programme reveals how Van Gogh started to paint sunflowers soon after he moved from Holland to Paris and how they became the emblem of his embrace of Southern France, warmth and the sun. It looks especially at the 8th of the Sunflower paintings, the one in the National Gallery in London which is arguably the best in the series. It was most admired and desired by Gaugin but denied to him by Van Gogh as their relationship deteriorated.

Arguably the first modern painting, this portrayal of five huge prostitutes was so powerful and controversial when it was first revealed that one fellow artist declared that Picasso would be found hanged behind it one day. The programme sets out the origins of the painting in the intense rivalry for the leadership of the Parisian avante-garde between Matisse and Picasso and shows in great detail how Picasso worked and re-worked, changed and changed again his concept for the painting in an endless series of studies.

The stark portrait, mainly in greys and black, that James McNeill Whistler painted of his mother is now a picture that is widely lampooned as a portrait of a prim Victorian lady. She is shown smoking reefers, wearing trainers, having a tatoo. But Whistler's approach was revolutionary in its time, wholly departing from the Victorian tradition of sentimental narrative painting. His relationship with his mother was also an intriguing study in contrasts.